BLITHE SPIRIT
Journal of the British Haiku Society
Volume 18 No. 4 - December 2008
Editor - Graham High
12 Eliot Vale, Blackheath, London, SE3 0UW
Associate Editor - Andrew Shimield
Blithe Spirit exists as a forum for diverse contributions in the writing and appreciation of haiku and kindred forms of
verse. It welcomes all related submissions from the membership. The Editors take responsibility for the selection of items
for publication and the layout of the magazine. The views expressed in articles do not necessarily reflect the Editors’ own
views.
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HAIKU and SENRYU
on my ceiling
circling pools of sunlight –
a fly
Jon Iddon
randomly re-strung
my old necklace
has a racier motif
Melissa Meek
Rocks and heathered cliffs
Glow in the evening sunshine.
A seal plays with waves.
Lynne Nesbit
blade of grass
held against the wall
summer breeze
Michael Fessler
friday again
as I turn the corner
our two smiles meet
Frank Williams
out of hours
the doctor’s
fixed smile
Helen Buckingham
writing up field notes
in my pocket still
the perfect skimmer
David Serjeant
flight of a kestrel –
all the pale grasses swept
in one direction
Diana Webb
grumpy until breakfast
my great-granddaughter and me
jam on her face
Kate Hall
Beyond the curtains
the sullen ripening
of an autumn day
Ken Jones
Hares on a grass verge
sit under the August moon
nibbling the bamboo
J.J.Jarrett
autumn
the hum of mowers
fades away
Ron Woollard
knotholes in the shed
small shafts of light
working through dust
John Parsons
my charcoal snaps
circling her breast;
she raises an eyebrow
Andrew Detheridge
sea edge
shape of waves
again fade
Stanley Pelter
alone in the woods
she fingers her wedding ring –
a tangle of roots
Claire Knight
on the heath alone
the dead tree watched over
by night jars
John Parsons
early morning bus—
yesterday’s idle moments
still litter the pane
Andrew Detheridge
a sea haze
dark chocolate melts
on my tongue
A A Marcoff
pear harvest over,
one fieldfare
still lingering
Malcolm Williams
in an autumn sky,
morning vapour trail –
& how old your generation
Francis Gallagher
A distillation
of briny undersea currents:
Dimitris’ fish soup.
Matt Simpson
That old crow cawing
just enough to wake me up
from autumn dozing
Bill Wyatt
blown over the wall
from cemetery to field
an oversized rose
Maeve O’Sullivan
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Martial Arts Haiku
Frank Dullaghan
Aikido –
accepting his force
to return it
applying a wrist lock –
the victim
instructs
always move forward
the master says –
even in retreat
the sword rising
through its arc
halves the sky
through the clash
of bamboo swords – the voice
of a small boy
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Ten Bars of Chocolate
Ruth Franke
translation from German by David Cobb
At the department store the girl in the cash desk runs her eye over the elderly gentleman who is pushing towards
her ten bars of chocolate, top quality brand. Angular face, silvery hair, slight stoop, refined in a low key sort of way. Surrounding him,
though, an atmosphere of trepidation and a barrier of silence.
Images flood the mind: an art exhibition with watercolours of flowers by a young lady. The amateur artist herself ?
elegant, sporty appearance, has done well in the tennis world. The husband at her side older by some tens of years, grey-haired,
clear-cut features. Then a winter scene: black ice, the man losing control of his Mercedes. He escaping injury, the young woman, no
seatbelt on, paralysed from the waist down. She doesn’t go out in public any more.
ravishing flowers
behind glass
no trace of scent
Years later the gentleman stands at the cash desk in the department store again ? with ten bars of chocolate, top
quality brand. As ever carefully dressed, the stoop more pronounced, thinner now the silvery hair. A barrier of silence around him,
but without trepidation.
He must be over eighty now and his wife somewhere around fifty ...
on a park bench
withered pine needles
still in pairs
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Cherry
Doris Heitmeyer
“Where are you going in that new shirt?”
“None of your business.”
The couple next door is fighting. The baby's crying. My roommates and I know what their place is like -
tenement apartment, bare light bulb, bathtub in kitchen, toilet in hall. Like ours. But we're summer students in New York.
No smell of diapers here.
carrying it with me
the ambience of the studio
linseed and turps
The fight continues. “You're going to meet her, aren’t you.”
“Look who's talking. You wasn't cherry when I married you.”
“YOU TOOK MY CHERRY!”
My roommates and I listen and learn. Another New York word. Cherry!
two years
of drawing from the nude
and still cherry
A discreet tapping at our fire escape window. The young husband. “Ladies, can I get out through your apartment?
She's blocking the door.”
We shrug. “O.K.”
I forget what color the shirt was.
in the cool of morning
thumping the newly stretched canvas
tight as a drum
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Alzheimer's
Clare McCotter
her uncupped hands
falling water
Alzheimer’s
sleepless
chaffering curtain
a yelp of yellow moon
verbiage
ivy on a forgotten name
Alzheimer’s
fear
warm grass
a young hare’s pulse
Alzheimer’s
two silent shores
selfsame stars
black dog howling
in the night
insight
Alzheimer’s
folding refolding
the hem of her checked skirt
melancholy
china in hollowed hands
stone cold tea
funeral
slate blue morning
crunch of gravel underfoot
black bags
her lilac blouse
the waiting wardrobe
winter grave
a star falling
through my fingers
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TANKA
how do they find
their way, these corner drunks
eyes whirling,
these hunched-over loners
before white coffee cups?
Sanford Goldstein
after years of sculpting
fingers twisted into claws
traces of art lost to life
like stretch marks left
after a stillborn child
Linda Jeannette Ward
grass proliferates
in the neighbouring meadow;
at my age
why do I take notes
on my reading?
Michael Fessler
a gift of peonies –
arranging them, some flowers
fall off already.
did your embrace last that long?
I gather fallen blossoms
Beatrice van de Vis
almost
in the vegetable kingdom
is she
and already a chair
with arms waiting
Sanford Goldstein
how to tell you
of the cruel charade I played
without meaning to
I wore a self aligned
to your ways and withdrew
Linda Jeannette Ward
a row
of rugged pine trees –
the falling of light
into
shadow
A A Marcoff
the patchwork cushion
I made for her years ago
has fallen apart –
what more can I do
except try to mend it
Mary Hind
a woman wearing
summer clothes
under winter…
the lake moon eclipsed
by the swan’s shadow
Linda Jeannette Ward
a face
from the distant past
and again
this sense of how
things could have been
Paul Smith
Down from the mountains at night
Feet dipped in cold water,
Now dry and tingling;
And eyes closed, seeing
Water running over grass.
(Loweswater, Cumbria, 28.5.86)
Tito
sometimes
the wind
sometimes
the stillness
what’s left of the willow
Andrea Grillo
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